Two thousand years ago, at the dawn of the first century, the ancient world was ruled by Rome. Through the experiences, memories and writings of the people who lived it, this series tells the story of that time -- the emperors and slaves, poets and plebeians, who wrested order from chaos, built the most cosmopolitan society the world had ever seen and shaped the Roman empire in the first century A.D.

Two thousand years ago, at the dawn of the first century, the ancient world was ruled by Rome. Through the experiences, memories and writings of the people who lived it, this series tells the story of that time -- the emperors and slaves, poets and plebeians, who wrested order from chaos, built the most cosmopolitan society the world had ever seen and shaped the Roman empire in the first century A.D.

该片围绕习近平总书记提出的一系列外交新理念新思想新战略，深刻反映以习近平同志为核心的党中央以大格局、大气魄、大手笔精心谋划、开拓进取、攻坚克难…

当乔的妻子外出接受可疑的整形手术时，他发现自己胸口长出了一根奇怪的触手。发现一种具有治疗功效的奇异寄生植物抵消了一系列奇怪的事件

当乔的妻子外出接受可疑的整形手术时，他发现自己胸口长出了一根奇怪的触手。发现一种具有治疗功效的奇异寄生植物抵消了一系列奇怪的事件

他们以君子风范在民国外交史上留下了浓墨重彩的一笔,受任于晚清摇坠之际,奉命于列强觊觎之间,屹立于民国一线,力避中华民族陷于丧权辱国之困局.弱国无公义,弱国无外交,但他们在内忧外患的民国,依然以铮铮铁骨维护着国家尊严.在外交保卫战中,一场雄辩、一纸笔墨、一份协议，无不透露着他们的拳拳爱国之心。时隔百年，他们那掷地有声、振聋发聩的呐喊，久久回荡在历史的长空中。 　　记录了民国期间五位外交官员的事迹：王宠惠、陆徵祥、王正廷、陈友仁、顾维钧

他们以君子风范在民国外交史上留下了浓墨重彩的一笔,受任于晚清摇坠之际,奉命于列强觊觎之间,屹立于民国一线,力避中华民族陷于丧权辱国之困局.弱国无公义,弱国无外交,但他们在内忧外患的民国,依然以铮铮铁骨维护着国家尊严.在外交保卫战中,一场雄辩、一纸笔墨、一份协议，无不透露着他们的拳拳爱国之心。时隔百年，他们那掷地有声、振聋发聩的呐喊，久久回荡在历史的长空中。 　　记录了民国期间五位外交官员的事迹：王宠惠、陆徵祥、王正廷、陈友仁、顾维钧

小杏（广末凉子 饰）自由便失去了父亲的关爱，和母亲一起过着相依为命的生活。幸运的是，小杏的母亲是一位十分坚强的女性，身为女性杂志编辑的她，从小就给小杏灌输着要自强自立的观念。 　　在母亲的影响下，小杏加入了学校的广播社团，并且制作了自己的节目“樱木新闻”。每天午饭时间，校园上空都会响起小杏亲切的声音，播报着学校周边发生的大大小小的事件。一场意外让小杏想起了一位名叫阿彻（圆岛努 饰）的少年，曾经，两人许下约定要一起拍一部电影。在老师的鼓励下，小杏决定兑现这一约定，她找到了曾经拍摄过的录音带，想要通过剪辑和拼接来完成她人生中的第一支纪录片。

Commissioned by the heads of the 2000 Cannes Film Festival to make an opening-night short commemorating cinema as it enters its second full century, Godard instead offers up a 17-minute barrage of re-edited footage of wars and Nazi atrocities, interspersed with clips of Maurice Chevalier in "Gigi" and Godard's own "À bout de souffle."

Commissioned by the heads of the 2000 Cannes Film Festival to make an opening-night short commemorating cinema as it enters its second full century, Godard instead offers up a 17-minute barrage of re-edited footage of wars and Nazi atrocities, interspersed with clips of Maurice Chevalier in "Gigi" and Godard's own "À bout de souffle."